Showing posts with label Camp Moremi. Show all posts
Showing posts with label Camp Moremi. Show all posts

Sunday, November 23, 2008

You can't always get what you want...





Maun, Botswana
Nov. 22, 2008

Often in my time in Botswana I have met tourists intent on checking off the animals on their lists. They have watched the National Geographic documentaries, so they arrive tuned and ready: “Lion…Order up!” They simply MUST see a lion or a leopard or a wild dog or a cheetah. They don’t want to hear how filmmakers spent a year in the bush to capture the images seen on TV. They look to the guide to deliver on demand.

Is it any surprise that the vibe of “power and control” is in the air when they take their first steps on the Maun tarmac wearing their starched khaki ensembles, with a host of techno-camper gadgets at the ready? I wonder if the animals sense it, because they sometimes prefer to hide away on their own holiday rather than meet the guests. I like to imagine the elephants down by the water hole stamping their feet and sharing a few chuckling snorts about the Air Botswana parade. They tell their jokes and before the guests return from an afternoon game drive, the ellies amble off silently in all directions, lickety-split into the bush, just for the fun of leaving lodge managers to say, “You just missed them! I promise. There must have been 10 bull elephants at the water hole, not 5 minutes ago.”

What I wish for anyone who visits Botswana is to arrive with senses wide open for all that can be perceived. An opening of the heart will surely follow, by virtue of approaching the land’s treasures with the reverence of a novitiate, from the Fireball lily ablaze in scarlet to the dung beetle rolling a ball of wet buffalo poo with Herculean purpose. Where is that armored fellow going with that boulder of dung and at such speed? Sit and watch. The landscape and its occupants are grand, the whole of it, not just The Big Five.

Across the planet we are all sojourners among landscapes in constant change. It’s easy to miss the unfolding of the miracles where most of us live, stuck in traffic jams, a Bluetooth in our ear, a Blackberry on our dash. Underneath it all and through it all is a tapestry of nature woven from morning to night and all night through, indeed woven right through us. We forget to look for the gossamer threads. We’re walking amnesiacs huddled on street corners waiting for the light to say proceed. Here, in Africa, the recognition slaps us in the face, wakes us up. This is the light you’ve been waiting for. This is where you came from, this is what you’re connected to, this is the new news, same as the old news. Forget Times Square, for a digital moment anyway.

The other day I was in Camp Moremi, surprised to find I would be the only one on a game drive with guide Kagiso, a river bushman whose name means “peace.” I was overnighting at the camp to interview managers and guides. I hated to take Kagiso away from a rare opportunity to have an afternoon break. Just an hour’s drive would be fine, not the usual 2 ½ to 3. Anything we saw would be appreciated, I assured him. (This is usually the time I tease guides by amping up my demands, “You must find me a lion today!” We have a good laugh over it.) I was happy to see the Fireball lilies and dozens of baby impalas, tiny antelopes that belong under the lid of a music box, some of them not more than two days old, grazing and skipping throughout the reserve but sticking close to their moms.

I looked at my watch. We’d been out for an hour. It’s ok to go back now, I told Kagiso. Not far away an African fish eagle watched over the pond where golden-green crocodiles rested on the banks. The eagle took to the sky, throwing back its head to call its long whistling cry. (I am determined the sound of the fish eagle will be my cellphone ring tone back in the States. It will be the signal that elbows me in the ribs, “Wake up. Remember.”)

Kagiso started the truck rolling, but something caught his attention in the wet sand. Fresh leopard tracks. He wanted to check them out. Fine by me. Whatever we saw would be a gift. I really meant it.

You can see photos of the male leopard Kagiso tracked, a leopard with yellow eyes that were sparks. For some unknown reason, the leopard granted an audience, letting Kagiso and me join him on his afternoon walk, we in the truck of course, inching behind. To my astonishment, we spent 45 minutes with this leopard while he scratched his head against a log, sharpened his claws, marked his territory, rolled in the grass and sipped water from a puddle in the road. He was close enough that if I had leaned out of the truck I could have petted him. Radical notion, that one.

I was so close I watched the heaving of his chest as he breathed. How can nature paint a coat like that? I wondered. I found myself transfixed by him but not unaware of the whole. In the distance a giraffe stopped eating fresh leaves from an acacia treetop to crane his neck; his neck was the Tower of Pisa. (Did you know, despite that long neck, the giraffe has the same number of vertebrae as you and I?) The impalas froze as if on ice. The leopard carried on. Nothing else moved except the red-eyed francolins. They squawked and scattered about in a panic, sounding the alarm calls, running around like headless chickens. The leopard lazed. He was the picture of nonchalance. No question who was boss on this reserve.

To think the visitation happened without a whit of desperation on my part or that of Kagiso. The leopard granted us an audience, and we accepted with reverence. It was one of those moments of grace, fleeting yet eternal. I wish all the guests in Botswana could have shared it with me. Then they would understand and perhaps remember to keep their eyes open for the gossamer threads at home.

The leopard



Saturday, November 15, 2008

How to correct a fashion faux pas in the bush...





Maun, Botswana
November 15, 2008

Into the bush on safari, I imagined I had left all thoughts of couture behind. As usual, the enduring lesson about Africa – about life in general – is to expect the unexpected.

On the day Americans were celebrating Obama’s victory (or not), my friend Sandy and I pitched up as guests at Camp Moremi so I could introduce her to the African lodge experience with Desert and Delta Safaris, which repeatedly has afforded me a place I longed for from America: a home in the bush among the animals and a life attuned to nature’s rhythms, not the alarm clock’s. We were scruffy and bedraggled (maybe I should speak for myself) from our two nights of mobile safari camping with my landlords’ company, Karibu Safari, but completely satisfied with our authentic, rugged tent safari in Moremi Game Reserve, even during the crash-bang thunderstorm that shot lightning bolts to the ground nearby, and I mean on X- marks-the-spot nearby. Exciting! That’s how I viewed it. I like to think of it as Nov. 4 election fireworks and, as I mentioned in the previous blog, a blessing bringing rain.

On our first game drive in Camp Moremi, we crawled to the top seats on the game viewer behind a diminutive man wearing a tight tangerine-colored shirt, his hair moussed upward in a style reminiscent of the crested crane I had seen at Ngorongoro Crater in Tanzania. His partner was bespectacled John, friendly, older, an accountant. The man in the tangerine shirt turned out to be a high priest of fashion: Louis Mariette. His business card from London is black with silver lettering. It features a festive crown one might see at a Mardi Gras ball, if I’d been to one. “Bespoke hat couture/ Bejewelled headpieces and accessories/ (by appointment only),” said his card. See www.louismariette.com for his photo gallery of dragonfly tiaras, his masterpieces that have appeared at Ascot races, Dorchester balls, his 15-million-pound timepiece hat, his list of supermodels who wear his work and the mention of Jerry Hall as one of his clients. Ascot, he told me, is a milliner’s “red-carpet moment.”

Sandy and I immediately liked Louis (pronounced Loo-ee) and John, and they liked us. We did the unthinkable and chatted too much on the game drive, but how could you not chat with a world famous hatmaker who would be right at home on the first version of the fashion make-over show “Queer Eye for the Straight Guy,” although by necessity it would most certainly have to be a highbrow, gilded edition for the uppercrust.

Louis grew up in Africa, in Botswana for a time, Swaziland and Mauritius. His father was a vet, so Louis finds himself at home in the bush or on Rodeo Drive. Not only does Louis have an eye for hats, he can spot game with uncanny laser sight – from an owl hidden away to a monitor lizard tucked into the grass. I was impressed. Africa, particularly its insects, provides inspiration for his hat creations. I wish I could say I shared his enthusiasm for creepy-crawlies that fly, but don't get me started.

I let him in on my family lore, because, I decided, we were connected by artistry. In the 1700s an ancestor of mine from Coventry, England, stowed away on a ship bound for Philadelphia. The man paid off his passage as an apprentice to a milliner and later became a Minuteman in the Revolutionary War, a fact that prompted my mother to join the Daughters of the American Revolution and to occasionally note that I, too, am eligible to become a DAR member. Not ready. Not old enough. So you see, I, too, have the blood of hatmakers coursing through my veins!

Louis hesitated. Do you know whether he designed fashionable women’s hats, military hats or perhaps utilitarian hats for such people as firemen? he asked. Why, I never considered it could be anything other than women’s hats ablaze in colonial fabulousness. Dash it all! I might have had a perfectly pedestrian milliner for an ancestor. My feather in my cap wilted at the notion.

Which inspired an idea. Louis, since you are a world famous milliner, please give me your assessment of the hat I’m wearing. I bought it in Napa Valley a few years back and have worn it religiously in Botswana.

Louis pulled out the cannons.
Your hat is dowdy, he told me. It ages you 5-6 years. It’s clear that you had a relationship that ended and you wear the hat to hide your face. Correct?
Yes, I told him, at least about the relationship part and how I had missed the fellow for several years.
And, he hastened to add, the hat says you bake cakes.

We fell over laughing.

And Sandy’s bendable cowboy hat?

It says young, hip and loving life, he decreed.

Fine, I said. My hat is finished! It is over. Tonight we burn it in a fire ceremony!!!!

And so you have before you an array of photos - if Blogger works -- recording the burning hat ceremony with m.c. Louis Mariette. We decided to let guests around the campfire shout out words they would like written on the hat, signifying things they would prefer to vanish with the smoke. We heard: Palin, Maverick McCain, gun nuts, segregation, Mugabe. Those are the ones I remember. After all, there had been quite a cocktail hour in celebration of Obama preceding the ritual.

The ceremony ended with the ashes of my Napa Valley hat destined for the soil of Africa.
With customary generosity Sandy presented me with her Texas cowboy hat as a gift. She'll buy a replacement when she returns to Austin.
What a lucky evening I had correcting the sartorial faux pas. The fashion gods smiled upon me in the firelight. I could feel it.

A tip of a bespoke cowboy hat to Louis! (P.S. Can someone tell me what bespoke means, other than in the verbal sense?)

The mad hatter




photos from camp moremi's hat ceremony
The first is of a Louis and me in the process
Then there's lodge manager Kirsty Roberts, making sure the deed is done
The glow of the fire

A magical flower

A magical flower
The guide squeezes this flower and it squirts water like a water pistol

Cathy and Joe Wanzala

Cathy and Joe Wanzala
They couldn't wait to paste the Obama sticker on their car

My main man

My main man
Ernest is my trusty cab driver who blasts music as we make our way through Gabs

Ted Thomas, man of intrigue and style

Ted Thomas, man of intrigue and style
My friend, Ted, and his wife, Mary Ann, hosted a Safari Send-Off for me in Austin and treated me to a special mix of African music that already a UB student and a professor want to download.